Friday, November 2, 2018

I Don't Want to Spoil the Party

When I began my research for this entry, I was surprised to learn from a few different sources that this song was originally conceived as a vehicle for Ringo to sing.  Since he had found a comfortable niche in the rockabilly genre with his recording of Matchbox earlier in 1964, this makes sense.  Yet, though the lyrics did have a hangdog feel about them that might have fit his persona, they were actually so downbeat that Lennon wound up keeping the song for himself.

The song was written during the group's North American tour of 1964.  Though the bulk of the credit for the composition goes to Lennon, McCartney certainly aided him in the process.  The recording took place at Abbey Road Studios on September 29th, the first session following the tour.  It required nineteen takes before the master was achieved, and only five of those takes were complete from start to finish.

John accompanies himself on acoustic guitar as he sings the lead vocal.  Paul plays bass and adds a high harmony vocal throughout the bridges of the song.  He and George also sing some occasional backing vocals in the verses.  The distinctive sound of the recording (and, indeed, of much of the album Beatles for Sale) comes from George's Gretsch Tennessean electric guitar, creating that twangy rockabilly feel.  The only overdubs featured Ringo on tambourine during the bridges and John double-tracking a low harmony for the verses.

In the US, Capitol Records withheld the song from the December 1964 album Beatles '65, instead choosing to use it as the B-side of the single Eight Days a Week, released in February of 1965.  While the A-side went to number one on the charts, I Don't Want to Spoil the Party peaked at number thirty-nine.  Both songs later appeared on the compilation album Beatles VI, released in June of that same year.

The group never played the song live, nor did it ever resurface on any of their post-career compilations.  Its country and western roots were validated, however, in 1989 by Rosanne Cash, who recorded a cover version that went to number one on the Billboard country chart.

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